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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Maraja Riechers; Berta Martín-López; Joern Fischer;

    AbstractLandscape simplification is a worldwide phenomenon that impacts biodiversity in agricultural landscapes. Humans benefit greatly from nature’s contributions to people in both material and immaterial ways, yet landscape simplification can undermine these contributions. Landscape simplification can have negative consequences, for example, for human–nature connectedness and other relational values. Major and rapid land-use change, together with a declining appreciation of nature by individuals and societies, in turn, could cause a downward spiral of disconnections. Our empirical research combined a comprehensive assessment of five dimensions of human–nature connectedness with the lens of relational values to assess how these are influenced by landscape simplification. Focusing on two rural landscapes with differing agricultural development in Lower Saxony (Germany), we conducted 34 problem-centred interviews. We found that landscape simplification, especially if rapid, negatively influenced human–nature connectedness and particular relational values such as social relations, social cohesion or cultural identity. We postulate that human–nature connectedness might have a balancing influence on preserving relational values, buffering negative impacts of landscape simplification. Losing connections to nature could potentially foster conflicts among actors with different values. We conclude that combining the notions of human–nature connectedness and relational values can generate valuable insights and may help to uncover new ways to foster sustainability.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sustainability Scien...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Sustainability Science
    Article . 2021 . Peer-reviewed
    License: CC BY
    Data sources: Crossref
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Sustainability Science
    Article
    License: CC BY
    Data sources: UnpayWall
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sustainability Scien...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Sustainability Science
      Article . 2021 . Peer-reviewed
      License: CC BY
      Data sources: Crossref
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Sustainability Science
      Article
      License: CC BY
      Data sources: UnpayWall
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      addClaim

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Maraja Riechers; Berta Martín-López; Joern Fischer;

    AbstractLandscape simplification is a worldwide phenomenon that impacts biodiversity in agricultural landscapes. Humans benefit greatly from nature’s contributions to people in both material and immaterial ways, yet landscape simplification can undermine these contributions. Landscape simplification can have negative consequences, for example, for human–nature connectedness and other relational values. Major and rapid land-use change, together with a declining appreciation of nature by individuals and societies, in turn, could cause a downward spiral of disconnections. Our empirical research combined a comprehensive assessment of five dimensions of human–nature connectedness with the lens of relational values to assess how these are influenced by landscape simplification. Focusing on two rural landscapes with differing agricultural development in Lower Saxony (Germany), we conducted 34 problem-centred interviews. We found that landscape simplification, especially if rapid, negatively influenced human–nature connectedness and particular relational values such as social relations, social cohesion or cultural identity. We postulate that human–nature connectedness might have a balancing influence on preserving relational values, buffering negative impacts of landscape simplification. Losing connections to nature could potentially foster conflicts among actors with different values. We conclude that combining the notions of human–nature connectedness and relational values can generate valuable insights and may help to uncover new ways to foster sustainability.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sustainability Scien...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Sustainability Science
    Article . 2021 . Peer-reviewed
    License: CC BY
    Data sources: Crossref
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Sustainability Science
    Article
    License: CC BY
    Data sources: UnpayWall
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    addClaim

    This Research product is the result of merged Research products in OpenAIRE.

    You have already added works in your ORCID record related to the merged Research product.
    Access Routes
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    31
    citations31
    popularityTop 10%
    influenceAverage
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sustainability Scien...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Sustainability Science
      Article . 2021 . Peer-reviewed
      License: CC BY
      Data sources: Crossref
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Sustainability Science
      Article
      License: CC BY
      Data sources: UnpayWall
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      addClaim

      This Research product is the result of merged Research products in OpenAIRE.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Tamara Schaal-Lagodzinski; Bettina König; Maraja Riechers; Nico Heitepriem; +1 Authors

    Ongoing land use change, including both land abandonment and agricultural intensification and expansion, not only present a threat for biodiversity and ecosystem health but also for the persistence of cultural landscapes. However, farmland abandonment and the resulting loss of traditional cultural landscapes is an under-researched topic in the literature. Our work in a transdisciplinary action research project in the Spreewald Biosphere Reserve suggested that challenges to preserve the cultural landscape are rooted in diverging landscape understandings and future aspirations. Dealing with and integrating different perceptions and viewpoints is a key challenge in landscape governance. Narratives as storylines about a topic or an issue have a structural and temporal dimension and can help understand land-use conflicts and different viewpoints. We adopted a social constructivist perspective on landscape to engage with meanings and perceptions (including values) that constitute landscape to diverse stakeholders. To understand these differences in meaning, we drew on Q-methodology and conducted 38 interviews with key stakeholders. We elicited three co-existing and partly overlapping landscape narratives. These differ with regard to meanings of the term cultural landscape, including how stakeholders characterise the landscape, how they appreciate it, and what they perceive as threats. We show how such differences in meanings and values attributed to the landscape translate to different problem framings and future aspirations and thus present a barrier for collaborative management and governance. We highlight how participatory vision development could help address narrative tensions and argue that a more integrative perspective would better include cultural aspects.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Ecosystems and Peopl...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Ecosystems and People
    Article . 2024 . Peer-reviewed
    License: CC BY NC
    Data sources: Crossref
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Ecosystems and People
    Article . 2024
    Data sources: DOAJ
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    addClaim

    This Research product is the result of merged Research products in OpenAIRE.

    You have already added works in your ORCID record related to the merged Research product.
    Access Routes
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    1
    citations1
    popularityAverage
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    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Ecosystems and Peopl...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Ecosystems and People
      Article . 2024 . Peer-reviewed
      License: CC BY NC
      Data sources: Crossref
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Ecosystems and People
      Article . 2024
      Data sources: DOAJ
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      addClaim

      This Research product is the result of merged Research products in OpenAIRE.

      You have already added works in your ORCID record related to the merged Research product.
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Tamara Schaal-Lagodzinski; Bettina König; Maraja Riechers; Nico Heitepriem; +1 Authors

    Ongoing land use change, including both land abandonment and agricultural intensification and expansion, not only present a threat for biodiversity and ecosystem health but also for the persistence of cultural landscapes. However, farmland abandonment and the resulting loss of traditional cultural landscapes is an under-researched topic in the literature. Our work in a transdisciplinary action research project in the Spreewald Biosphere Reserve suggested that challenges to preserve the cultural landscape are rooted in diverging landscape understandings and future aspirations. Dealing with and integrating different perceptions and viewpoints is a key challenge in landscape governance. Narratives as storylines about a topic or an issue have a structural and temporal dimension and can help understand land-use conflicts and different viewpoints. We adopted a social constructivist perspective on landscape to engage with meanings and perceptions (including values) that constitute landscape to diverse stakeholders. To understand these differences in meaning, we drew on Q-methodology and conducted 38 interviews with key stakeholders. We elicited three co-existing and partly overlapping landscape narratives. These differ with regard to meanings of the term cultural landscape, including how stakeholders characterise the landscape, how they appreciate it, and what they perceive as threats. We show how such differences in meanings and values attributed to the landscape translate to different problem framings and future aspirations and thus present a barrier for collaborative management and governance. We highlight how participatory vision development could help address narrative tensions and argue that a more integrative perspective would better include cultural aspects.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Ecosystems and Peopl...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Ecosystems and People
    Article . 2024 . Peer-reviewed
    License: CC BY NC
    Data sources: Crossref
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Ecosystems and People
    Article . 2024
    Data sources: DOAJ
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    addClaim

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Ecosystems and Peopl...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Ecosystems and People
      Article . 2024 . Peer-reviewed
      License: CC BY NC
      Data sources: Crossref
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Ecosystems and People
      Article . 2024
      Data sources: DOAJ
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      addClaim

      This Research product is the result of merged Research products in OpenAIRE.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Joern Fischer; Maraja Riechers; Jacqueline Loos; Berta Martin-Lopez; +1 Authors

    The United Nations (UN) recently declared 2021 to 2030 the Decade on Ecosystem Restoration. Against this background, we review recent social-ecological systems research and summarize key themes that could help to improve ecosystem restoration in dynamic social contexts. The themes relate to resilience and adaptability, ecosystem stewardship and navigation of change, relational values, the coevolution of human and ecological systems, long-range social-ecological connections, and leverage points for transformation. We recommend two cross-cutting new research foci; namely: (i) post hoc cross-sectional assessments of social-ecological restoration projects; and (ii) transdisciplinary social-ecological 'living labs' that accompany new restoration projects as they unfold. With global agendas increasingly taking a social-ecological perspective, the recasting of ecosystem restoration as a social-ecological endeavor offers exciting new opportunities for both research and practice.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Trends in Ecology & ...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Trends in Ecology & Evolution
    Article . 2021 . Peer-reviewed
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      Trends in Ecology & Evolution
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    Authors: Joern Fischer; Maraja Riechers; Jacqueline Loos; Berta Martin-Lopez; +1 Authors

    The United Nations (UN) recently declared 2021 to 2030 the Decade on Ecosystem Restoration. Against this background, we review recent social-ecological systems research and summarize key themes that could help to improve ecosystem restoration in dynamic social contexts. The themes relate to resilience and adaptability, ecosystem stewardship and navigation of change, relational values, the coevolution of human and ecological systems, long-range social-ecological connections, and leverage points for transformation. We recommend two cross-cutting new research foci; namely: (i) post hoc cross-sectional assessments of social-ecological restoration projects; and (ii) transdisciplinary social-ecological 'living labs' that accompany new restoration projects as they unfold. With global agendas increasingly taking a social-ecological perspective, the recasting of ecosystem restoration as a social-ecological endeavor offers exciting new opportunities for both research and practice.

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    Authors: Riechers, Maraja; Betz, Lydia; Gould, Rachelle; Loch, Theresa Klara; +4 Authors

    To create the science we need for the ocean we want in this United Nations Decade of Ocean Science for Sustainable Development and to support the Intergovernmental Science-Policy Platform on Biodiversity and Ecosystem Services (IPBES) value assessment, we systematically reviewed literature from the past 20 years (N = 375) that used conceptualizations of relational values in coastal and marine ecosystems of the Global South. We found four clusters of research highlighting specific characteristics. Cluster one (participatory and qualitative approaches) was defined by a focus on the relational value of cultural heritage and the production of qualitative social science data, often with a participatory approach. Cluster two (Indigenous and local ecological knowledges held by fishers and gatherers) linked to the explicit inclusion of Indigenous and local knowledges in research and to aspects of biodiversity and marine resources. Cluster three (ecological and environmental change) was determined by relational values of social relations and identity of residents and community members through the use of anthropological and ethnographic methods and linked to ecological and environmental change. Cluster four (recreation and quantitative data) was characterized by a variety of relational values, such as recreation and enjoyment, aesthetics and inspiration, or stewardship, and based on quantitative empirical social research methods mainly elicited from coastal users (such as tourists). We highlight (1) the most prevalent relational values; (2) the necessity to bridge dispersed research approaches; and (3) the possible negative impact of globalization, market pressure, and ecological degradation on relational values. Our lessons learnt are the challenge of conflating relational values with structures, institutions, or emotions; the necessity of accounting for dynamic influences on relational values; and finding ways to comparably quantify relational value categories. Our recommendations for future research are: (1) specificity regarding relational values and their object of value; (2) using transdisciplinary and participatory approaches; and (3) strengthening pro-environmental relational values for sustainability transformation.

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    Ecology and Society
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    https://dx.doi.org/10.48548/pu...
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    Authors: Riechers, Maraja; Betz, Lydia; Gould, Rachelle; Loch, Theresa Klara; +4 Authors

    To create the science we need for the ocean we want in this United Nations Decade of Ocean Science for Sustainable Development and to support the Intergovernmental Science-Policy Platform on Biodiversity and Ecosystem Services (IPBES) value assessment, we systematically reviewed literature from the past 20 years (N = 375) that used conceptualizations of relational values in coastal and marine ecosystems of the Global South. We found four clusters of research highlighting specific characteristics. Cluster one (participatory and qualitative approaches) was defined by a focus on the relational value of cultural heritage and the production of qualitative social science data, often with a participatory approach. Cluster two (Indigenous and local ecological knowledges held by fishers and gatherers) linked to the explicit inclusion of Indigenous and local knowledges in research and to aspects of biodiversity and marine resources. Cluster three (ecological and environmental change) was determined by relational values of social relations and identity of residents and community members through the use of anthropological and ethnographic methods and linked to ecological and environmental change. Cluster four (recreation and quantitative data) was characterized by a variety of relational values, such as recreation and enjoyment, aesthetics and inspiration, or stewardship, and based on quantitative empirical social research methods mainly elicited from coastal users (such as tourists). We highlight (1) the most prevalent relational values; (2) the necessity to bridge dispersed research approaches; and (3) the possible negative impact of globalization, market pressure, and ecological degradation on relational values. Our lessons learnt are the challenge of conflating relational values with structures, institutions, or emotions; the necessity of accounting for dynamic influences on relational values; and finding ways to comparably quantify relational value categories. Our recommendations for future research are: (1) specificity regarding relational values and their object of value; (2) using transdisciplinary and participatory approaches; and (3) strengthening pro-environmental relational values for sustainability transformation.

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    Ecology and Society
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    https://dx.doi.org/10.48548/pu...
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      https://dx.doi.org/10.48548/pu...
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    Authors: Maraja Riechers; Ioana Alexandra Pătru-Dușe; Ágnes Balázsi;

    AbstractCalls for a reconnection to nature and the biosphere have been growing louder over the last decades. Cultural landscapes are rapidly changing, posing a threat to ecosystems and biodiversity, but also to human–nature connections. Human–nature connectedness may be a potential lever to shift the unsustainable trajectory that we are currently proceeding, but is also negatively influenced by it. To concretize the call for a reconnection to nature, we used the leverage points perspective on five empirical case studies with focus on human–nature connectedness. Based on the synthesis of our yearlong work, in this perspective paper, we propose four leverage points to foster a sustainability transformation: (1) maintain and enhance the structural diversity of landscapes, (2) maintain and enhance economically and ecologically sustainable small-scale agriculture, (3) strengthen sense of place and (4) strengthen sense of agency in actors. Intervening in these leverage points could be effective to foster human–nature connectedness and ultimately contribute towards a sustainable trajectory. We further argue that the interconnection between leverage points is equally important as their systemic depth.

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    AMBIO
    Article . 2021 . Peer-reviewed
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    AMBIO
    Article . 2021
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    Authors: Maraja Riechers; Ioana Alexandra Pătru-Dușe; Ágnes Balázsi;

    AbstractCalls for a reconnection to nature and the biosphere have been growing louder over the last decades. Cultural landscapes are rapidly changing, posing a threat to ecosystems and biodiversity, but also to human–nature connections. Human–nature connectedness may be a potential lever to shift the unsustainable trajectory that we are currently proceeding, but is also negatively influenced by it. To concretize the call for a reconnection to nature, we used the leverage points perspective on five empirical case studies with focus on human–nature connectedness. Based on the synthesis of our yearlong work, in this perspective paper, we propose four leverage points to foster a sustainability transformation: (1) maintain and enhance the structural diversity of landscapes, (2) maintain and enhance economically and ecologically sustainable small-scale agriculture, (3) strengthen sense of place and (4) strengthen sense of agency in actors. Intervening in these leverage points could be effective to foster human–nature connectedness and ultimately contribute towards a sustainable trajectory. We further argue that the interconnection between leverage points is equally important as their systemic depth.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ AMBIOarrow_drop_down
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    AMBIO
    Article . 2021 . Peer-reviewed
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    AMBIO
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    AMBIO
    Article . 2021
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    Authors: Loos, Jacqueline; Cortés-Capano, Gonzalo; Riechers, Maraja; Walsh, Cormac; +1 Authors

    Conservation and Development Interventions (CDIs) aim to promote sustainable natural resource use and contribute to both biodiversity conservation (or restoration) and human well-being. Their long-term impact on social-ecological interactions hinges on their transformative potential to achieve sustainability. In this perspective paper, we categorize CDIs based on their strategies for achieving transformative change, empowering decision-makers to guide social-ecological systems towards sustainability. We classify CDIs by their specific dependencies between values, rules, and knowledge systems in decision-making, power relations, and environmental justice in creating transformations. Based on this classification, we identify three ‘realms’ of CDI: (1) the realm of “management”, i.e., interventions for a just and sustainable natural resource use happen at a broad but shallow level through management design and content. Here, formal rules and visible power structures dominate to achieve distributive justice; (2) the realm of “understanding”, i.e., interventions that offer a better understanding of knowledge diversity and shedding light on invisible power structures by addressing procedural justice; (3) the realm of “engagement”, i.e., interventions that elucidate the underlying human value system and uncover hidden power structures, e.g., by analysing social discourses and thereby deeply engaging with recognitional justice in sustainable natural resource use. This work suggests that CDIs can enhance their capacity to drive transformative change towards promoting sustainable natural resource use by strategically addressing and actively involving all three realms.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Biological Conservat...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Biological Conservation
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    Authors: Loos, Jacqueline; Cortés-Capano, Gonzalo; Riechers, Maraja; Walsh, Cormac; +1 Authors

    Conservation and Development Interventions (CDIs) aim to promote sustainable natural resource use and contribute to both biodiversity conservation (or restoration) and human well-being. Their long-term impact on social-ecological interactions hinges on their transformative potential to achieve sustainability. In this perspective paper, we categorize CDIs based on their strategies for achieving transformative change, empowering decision-makers to guide social-ecological systems towards sustainability. We classify CDIs by their specific dependencies between values, rules, and knowledge systems in decision-making, power relations, and environmental justice in creating transformations. Based on this classification, we identify three ‘realms’ of CDI: (1) the realm of “management”, i.e., interventions for a just and sustainable natural resource use happen at a broad but shallow level through management design and content. Here, formal rules and visible power structures dominate to achieve distributive justice; (2) the realm of “understanding”, i.e., interventions that offer a better understanding of knowledge diversity and shedding light on invisible power structures by addressing procedural justice; (3) the realm of “engagement”, i.e., interventions that elucidate the underlying human value system and uncover hidden power structures, e.g., by analysing social discourses and thereby deeply engaging with recognitional justice in sustainable natural resource use. This work suggests that CDIs can enhance their capacity to drive transformative change towards promoting sustainable natural resource use by strategically addressing and actively involving all three realms.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Biological Conservat...arrow_drop_down
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    Biological Conservation
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: Sanya Julius, John; Gross, Milena; Mwampamba, Tuyeni H.; Pearson, Jasmine; +5 Authors

    The dataset entails face-to-face surveys conducted in Tanzania, with 364 smallholder farmers residing in 14 villages located on the southern slope of Mount Kilimanjaro. It contains preferences for 25 context-specific nature's contributions to people (NCP) and expressions of values of nature and socio-demographic attributes. Interview Other

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    https://dx.doi.org/10.48548/pu...
    Dataset . 2025
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      https://dx.doi.org/10.48548/pu...
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    Authors: Sanya Julius, John; Gross, Milena; Mwampamba, Tuyeni H.; Pearson, Jasmine; +5 Authors

    The dataset entails face-to-face surveys conducted in Tanzania, with 364 smallholder farmers residing in 14 villages located on the southern slope of Mount Kilimanjaro. It contains preferences for 25 context-specific nature's contributions to people (NCP) and expressions of values of nature and socio-demographic attributes. Interview Other

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://dx.doi.org/1...arrow_drop_down
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    https://dx.doi.org/10.48548/pu...
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    Authors: Maraja Riechers; Lucia Fanini; Annalisa Apicella; Carolina Batista Galvan; +12 Authors

    Abstract This conference report summarizes the current challenges of researching microplastics pollution in the ocean as debated by international experts and stakeholders at a workshop held in San Sebastian, Spain, 1–2 October 2019. The transdisciplinary, co-learning approach of this report stressed the need to incorporate multiple perspective in solving the problem of microplastics and resulted in three proposed actions: (i) filtering microplastics from waste waters; (ii) mandatory ecolabels on plastic products packages; and (iii) circular economy of packaging plastics.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Marine Pollution Bul...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Marine Pollution Bulletin
    Article . 2021 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Marine Pollution Bulletin
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: Maraja Riechers; Lucia Fanini; Annalisa Apicella; Carolina Batista Galvan; +12 Authors

    Abstract This conference report summarizes the current challenges of researching microplastics pollution in the ocean as debated by international experts and stakeholders at a workshop held in San Sebastian, Spain, 1–2 October 2019. The transdisciplinary, co-learning approach of this report stressed the need to incorporate multiple perspective in solving the problem of microplastics and resulted in three proposed actions: (i) filtering microplastics from waste waters; (ii) mandatory ecolabels on plastic products packages; and (iii) circular economy of packaging plastics.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Marine Pollution Bul...arrow_drop_down
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    Marine Pollution Bulletin
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Marine Pollution Bulletin
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: Maraja Riechers; Werner Henkel; Moritz Engbers; Joern Fischer;

    Understanding emotions is necessary to analyse underlying motivations, values and drivers for behaviours. In landscapes that are rapidly changing, for example, due to land conversion for intensive agriculture, a sense of powerlessness of the inhabitants can be common, which may negatively influence their emotional bond to the landscape they are living in. To uncover varied emotional responses towards landscape change we used an innovative approach that combined transdisciplinary and artistic research in an intensively farmed landscape in Germany. In this project, we focused on the topic of favourite places in public spaces, and how change in such places was experienced. Drawing on workshops and interviews, we identified themes of externally driven societal and internal personal influences on the public favourite places. “Resilient” emotional responses towards landscape change showed a will to integrate the modifications, while “non-resilient” responses were characterised by frustration and despair. We argue that identifying emotions towards change can be valuable to strengthen adaptive capacity and to foster sustainability.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sustainabilityarrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Article . 2019 . Peer-reviewed
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      Article . 2019 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Maraja Riechers; Werner Henkel; Moritz Engbers; Joern Fischer;

    Understanding emotions is necessary to analyse underlying motivations, values and drivers for behaviours. In landscapes that are rapidly changing, for example, due to land conversion for intensive agriculture, a sense of powerlessness of the inhabitants can be common, which may negatively influence their emotional bond to the landscape they are living in. To uncover varied emotional responses towards landscape change we used an innovative approach that combined transdisciplinary and artistic research in an intensively farmed landscape in Germany. In this project, we focused on the topic of favourite places in public spaces, and how change in such places was experienced. Drawing on workshops and interviews, we identified themes of externally driven societal and internal personal influences on the public favourite places. “Resilient” emotional responses towards landscape change showed a will to integrate the modifications, while “non-resilient” responses were characterised by frustration and despair. We argue that identifying emotions towards change can be valuable to strengthen adaptive capacity and to foster sustainability.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sustainabilityarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Sustainability
    Article . 2019 . Peer-reviewed
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Article . 2019
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sustainabilityarrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Article . 2019
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Marja Spierenburg; Marja Spierenburg; Christopher Cvitanovic; Christopher Cvitanovic; +46 Authors

    La promesse d'une coproduction pour relever des défis complexes en matière de durabilité est convaincante. Pourtant, la coproduction, le tissage collaboratif de la recherche et de la pratique, englobe divers objectifs, terminologies et pratiques, avec peu de clarté sur leurs implications. Pour explorer cette diversité, nous avons systématiquement cartographié les différences dans la façon dont 32 initiatives de 6 continents coproduisent divers résultats pour le développement durable des écosystèmes à l'échelle locale et mondiale. Nous avons constaté des variations dans leur objectif d'utilisation de la coproduction, de compréhension du pouvoir, d'approche de la politique et de voies d'impact. Une analyse par grappes a identifié six modes de coproduction : (1) la recherche de solutions ; (2) l'autonomisation des voix ; (3) le pouvoir de courtage ; (4) le pouvoir de recadrage ; (5) la gestion des différences et (6) l'agence de recadrage. Aucun mode n'est idéal ; chacun possède un potentiel unique pour atteindre des résultats particuliers, mais pose également des défis et des risques uniques. Notre analyse fournit un outil heuristique aux chercheurs et aux acteurs de la société pour explorer de manière critique cette diversité et naviguer efficacement dans les compromis lors de la coproduction de la durabilité. La coproduction comprend divers objectifs, terminologies et pratiques. Cette étude explore cette diversité en cartographiant les différences dans la façon dont 32 initiatives de 6 continents coproduisent divers résultats pour le développement durable des écosystèmes à l'échelle locale et mondiale. La promesa de la coproducción para abordar los complejos desafíos de sostenibilidad es convincente. Sin embargo, la coproducción, el tejido colaborativo de la investigación y la práctica, abarca diversos objetivos, terminologías y prácticas, con poca claridad sobre sus implicaciones. Para explorar esta diversidad, mapeamos sistemáticamente las diferencias en cómo 32 iniciativas de 6 continentes coproducen diversos resultados para el desarrollo sostenible de los ecosistemas a escala local y global. Encontramos variaciones en su propósito de utilizar la coproducción, la comprensión del poder, el enfoque de la política y los caminos hacia el impacto. Un análisis de clústeres identificó seis modos de coproducción: (1) investigar soluciones; (2) empoderar las voces; (3) poder de intermediación; (4) poder de replanteamiento; (5) navegar las diferencias y (6) replantear la agencia. Ningún modo es ideal; cada uno tiene un potencial único para lograr resultados particulares, pero también plantea desafíos y riesgos únicos. Nuestro análisis proporciona una herramienta heurística para que los investigadores y los actores sociales exploren críticamente esta diversidad y naveguen eficazmente por las compensaciones al coproducir sostenibilidad. La coproducción incluye diversos objetivos, terminologías y prácticas. Este estudio explora dicha diversidad mediante el mapeo de las diferencias en la forma en que 32 iniciativas de 6 continentes coproducen diversos resultados para el desarrollo sostenible de los ecosistemas a escala local y global. The promise of co-production to address complex sustainability challenges is compelling. Yet, co-production, the collaborative weaving of research and practice, encompasses diverse aims, terminologies and practices, with poor clarity over their implications. To explore this diversity, we systematically mapped differences in how 32 initiatives from 6 continents co-produce diverse outcomes for the sustainable development of ecosystems at local to global scales. We found variation in their purpose for utilizing co-production, understanding of power, approach to politics and pathways to impact. A cluster analysis identified six modes of co-production: (1) researching solutions; (2) empowering voices; (3) brokering power; (4) reframing power; (5) navigating differences and (6) reframing agency. No mode is ideal; each holds unique potential to achieve particular outcomes, but also poses unique challenges and risks. Our analysis provides a heuristic tool for researchers and societal actors to critically explore this diversity and effectively navigate trade-offs when co-producing sustainability. Co-production includes diverse aims, terminologies and practices. This study explores such diversity by mapping differences in how 32 initiatives from 6 continents co-produce diverse outcomes for the sustainable development of ecosystems at local to global scales. إن الوعد بالإنتاج المشترك لمواجهة تحديات الاستدامة المعقدة أمر مقنع. ومع ذلك، فإن الإنتاج المشترك، وهو النسيج التعاوني للبحث والممارسة، يشمل أهدافًا ومصطلحات وممارسات متنوعة، مع ضعف الوضوح بشأن آثارها. لاستكشاف هذا التنوع، قمنا بشكل منهجي بتحديد الاختلافات في كيفية مشاركة 32 مبادرة من 6 قارات في إنتاج نتائج متنوعة للتنمية المستدامة للنظم الإيكولوجية على المستويات المحلية إلى العالمية. وجدنا تباينًا في غرضهم من استخدام الإنتاج المشترك وفهم القوة ونهج السياسة ومسارات التأثير. حدد تحليل عنقودي ستة أنماط للإنتاج المشترك: (1) حلول البحث ؛ (2) تمكين الأصوات ؛ (3) قوة الوساطة ؛ (4) قوة إعادة الصياغة ؛ (5) التنقل في الاختلافات و (6) وكالة إعادة الصياغة. لا يوجد وضع مثالي ؛ يحمل كل منها إمكانات فريدة لتحقيق نتائج معينة، ولكنه يشكل أيضًا تحديات ومخاطر فريدة. يوفر تحليلنا أداة إرشادية للباحثين والجهات الفاعلة المجتمعية لاستكشاف هذا التنوع بشكل نقدي والتنقل بفعالية في المفاضلات عند المشاركة في إنتاج الاستدامة. يتضمن الإنتاج المشترك أهدافًا ومصطلحات وممارسات متنوعة. تستكشف هذه الدراسة هذا التنوع من خلال تحديد الاختلافات في كيفية مشاركة 32 مبادرة من 6 قارات في إنتاج نتائج متنوعة للتنمية المستدامة للنظم الإيكولوجية على المستويات المحلية إلى العالمية.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Nature Sustainabilit...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Research@WUR
    Article . 2021
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Nature Sustainability
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    https://dx.doi.org/10.60692/kd...
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    https://dx.doi.org/10.60692/bs...
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Nature Sustainabilit...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Nature Sustainability
      Article
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Research@WUR
      Article . 2021
      Data sources: Research@WUR
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Nature Sustainability
      Article . 2021 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      https://dx.doi.org/10.60692/kd...
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      https://dx.doi.org/10.60692/bs...
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Marja Spierenburg; Marja Spierenburg; Christopher Cvitanovic; Christopher Cvitanovic; +46 Authors

    La promesse d'une coproduction pour relever des défis complexes en matière de durabilité est convaincante. Pourtant, la coproduction, le tissage collaboratif de la recherche et de la pratique, englobe divers objectifs, terminologies et pratiques, avec peu de clarté sur leurs implications. Pour explorer cette diversité, nous avons systématiquement cartographié les différences dans la façon dont 32 initiatives de 6 continents coproduisent divers résultats pour le développement durable des écosystèmes à l'échelle locale et mondiale. Nous avons constaté des variations dans leur objectif d'utilisation de la coproduction, de compréhension du pouvoir, d'approche de la politique et de voies d'impact. Une analyse par grappes a identifié six modes de coproduction : (1) la recherche de solutions ; (2) l'autonomisation des voix ; (3) le pouvoir de courtage ; (4) le pouvoir de recadrage ; (5) la gestion des différences et (6) l'agence de recadrage. Aucun mode n'est idéal ; chacun possède un potentiel unique pour atteindre des résultats particuliers, mais pose également des défis et des risques uniques. Notre analyse fournit un outil heuristique aux chercheurs et aux acteurs de la société pour explorer de manière critique cette diversité et naviguer efficacement dans les compromis lors de la coproduction de la durabilité. La coproduction comprend divers objectifs, terminologies et pratiques. Cette étude explore cette diversité en cartographiant les différences dans la façon dont 32 initiatives de 6 continents coproduisent divers résultats pour le développement durable des écosystèmes à l'échelle locale et mondiale. La promesa de la coproducción para abordar los complejos desafíos de sostenibilidad es convincente. Sin embargo, la coproducción, el tejido colaborativo de la investigación y la práctica, abarca diversos objetivos, terminologías y prácticas, con poca claridad sobre sus implicaciones. Para explorar esta diversidad, mapeamos sistemáticamente las diferencias en cómo 32 iniciativas de 6 continentes coproducen diversos resultados para el desarrollo sostenible de los ecosistemas a escala local y global. Encontramos variaciones en su propósito de utilizar la coproducción, la comprensión del poder, el enfoque de la política y los caminos hacia el impacto. Un análisis de clústeres identificó seis modos de coproducción: (1) investigar soluciones; (2) empoderar las voces; (3) poder de intermediación; (4) poder de replanteamiento; (5) navegar las diferencias y (6) replantear la agencia. Ningún modo es ideal; cada uno tiene un potencial único para lograr resultados particulares, pero también plantea desafíos y riesgos únicos. Nuestro análisis proporciona una herramienta heurística para que los investigadores y los actores sociales exploren críticamente esta diversidad y naveguen eficazmente por las compensaciones al coproducir sostenibilidad. La coproducción incluye diversos objetivos, terminologías y prácticas. Este estudio explora dicha diversidad mediante el mapeo de las diferencias en la forma en que 32 iniciativas de 6 continentes coproducen diversos resultados para el desarrollo sostenible de los ecosistemas a escala local y global. The promise of co-production to address complex sustainability challenges is compelling. Yet, co-production, the collaborative weaving of research and practice, encompasses diverse aims, terminologies and practices, with poor clarity over their implications. To explore this diversity, we systematically mapped differences in how 32 initiatives from 6 continents co-produce diverse outcomes for the sustainable development of ecosystems at local to global scales. We found variation in their purpose for utilizing co-production, understanding of power, approach to politics and pathways to impact. A cluster analysis identified six modes of co-production: (1) researching solutions; (2) empowering voices; (3) brokering power; (4) reframing power; (5) navigating differences and (6) reframing agency. No mode is ideal; each holds unique potential to achieve particular outcomes, but also poses unique challenges and risks. Our analysis provides a heuristic tool for researchers and societal actors to critically explore this diversity and effectively navigate trade-offs when co-producing sustainability. Co-production includes diverse aims, terminologies and practices. This study explores such diversity by mapping differences in how 32 initiatives from 6 continents co-produce diverse outcomes for the sustainable development of ecosystems at local to global scales. إن الوعد بالإنتاج المشترك لمواجهة تحديات الاستدامة المعقدة أمر مقنع. ومع ذلك، فإن الإنتاج المشترك، وهو النسيج التعاوني للبحث والممارسة، يشمل أهدافًا ومصطلحات وممارسات متنوعة، مع ضعف الوضوح بشأن آثارها. لاستكشاف هذا التنوع، قمنا بشكل منهجي بتحديد الاختلافات في كيفية مشاركة 32 مبادرة من 6 قارات في إنتاج نتائج متنوعة للتنمية المستدامة للنظم الإيكولوجية على المستويات المحلية إلى العالمية. وجدنا تباينًا في غرضهم من استخدام الإنتاج المشترك وفهم القوة ونهج السياسة ومسارات التأثير. حدد تحليل عنقودي ستة أنماط للإنتاج المشترك: (1) حلول البحث ؛ (2) تمكين الأصوات ؛ (3) قوة الوساطة ؛ (4) قوة إعادة الصياغة ؛ (5) التنقل في الاختلافات و (6) وكالة إعادة الصياغة. لا يوجد وضع مثالي ؛ يحمل كل منها إمكانات فريدة لتحقيق نتائج معينة، ولكنه يشكل أيضًا تحديات ومخاطر فريدة. يوفر تحليلنا أداة إرشادية للباحثين والجهات الفاعلة المجتمعية لاستكشاف هذا التنوع بشكل نقدي والتنقل بفعالية في المفاضلات عند المشاركة في إنتاج الاستدامة. يتضمن الإنتاج المشترك أهدافًا ومصطلحات وممارسات متنوعة. تستكشف هذه الدراسة هذا التنوع من خلال تحديد الاختلافات في كيفية مشاركة 32 مبادرة من 6 قارات في إنتاج نتائج متنوعة للتنمية المستدامة للنظم الإيكولوجية على المستويات المحلية إلى العالمية.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Nature Sustainabilit...arrow_drop_down
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    Nature Sustainability
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Research@WUR
    Article . 2021
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Nature Sustainability
    Article . 2021 . Peer-reviewed
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    https://dx.doi.org/10.60692/kd...
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Nature Sustainabilit...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Research@WUR
      Article . 2021
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Nature Sustainability
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Maraja Riechers; Berta Martín-López; Joern Fischer;

    AbstractLandscape simplification is a worldwide phenomenon that impacts biodiversity in agricultural landscapes. Humans benefit greatly from nature’s contributions to people in both material and immaterial ways, yet landscape simplification can undermine these contributions. Landscape simplification can have negative consequences, for example, for human–nature connectedness and other relational values. Major and rapid land-use change, together with a declining appreciation of nature by individuals and societies, in turn, could cause a downward spiral of disconnections. Our empirical research combined a comprehensive assessment of five dimensions of human–nature connectedness with the lens of relational values to assess how these are influenced by landscape simplification. Focusing on two rural landscapes with differing agricultural development in Lower Saxony (Germany), we conducted 34 problem-centred interviews. We found that landscape simplification, especially if rapid, negatively influenced human–nature connectedness and particular relational values such as social relations, social cohesion or cultural identity. We postulate that human–nature connectedness might have a balancing influence on preserving relational values, buffering negative impacts of landscape simplification. Losing connections to nature could potentially foster conflicts among actors with different values. We conclude that combining the notions of human–nature connectedness and relational values can generate valuable insights and may help to uncover new ways to foster sustainability.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sustainability Scien...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Sustainability Science
    Article . 2021 . Peer-reviewed
    License: CC BY
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Sustainability Science
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sustainability Scien...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Sustainability Science
      Article . 2021 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Sustainability Science
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Maraja Riechers; Berta Martín-López; Joern Fischer;

    AbstractLandscape simplification is a worldwide phenomenon that impacts biodiversity in agricultural landscapes. Humans benefit greatly from nature’s contributions to people in both material and immaterial ways, yet landscape simplification can undermine these contributions. Landscape simplification can have negative consequences, for example, for human–nature connectedness and other relational values. Major and rapid land-use change, together with a declining appreciation of nature by individuals and societies, in turn, could cause a downward spiral of disconnections. Our empirical research combined a comprehensive assessment of five dimensions of human–nature connectedness with the lens of relational values to assess how these are influenced by landscape simplification. Focusing on two rural landscapes with differing agricultural development in Lower Saxony (Germany), we conducted 34 problem-centred interviews. We found that landscape simplification, especially if rapid, negatively influenced human–nature connectedness and particular relational values such as social relations, social cohesion or cultural identity. We postulate that human–nature connectedness might have a balancing influence on preserving relational values, buffering negative impacts of landscape simplification. Losing connections to nature could potentially foster conflicts among actors with different values. We conclude that combining the notions of human–nature connectedness and relational values can generate valuable insights and may help to uncover new ways to foster sustainability.

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    Sustainability Science
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    Authors: Tamara Schaal-Lagodzinski; Bettina König; Maraja Riechers; Nico Heitepriem; +1 Authors

    Ongoing land use change, including both land abandonment and agricultural intensification and expansion, not only present a threat for biodiversity and ecosystem health but also for the persistence of cultural landscapes. However, farmland abandonment and the resulting loss of traditional cultural landscapes is an under-researched topic in the literature. Our work in a transdisciplinary action research project in the Spreewald Biosphere Reserve suggested that challenges to preserve the cultural landscape are rooted in diverging landscape understandings and future aspirations. Dealing with and integrating different perceptions and viewpoints is a key challenge in landscape governance. Narratives as storylines about a topic or an issue have a structural and temporal dimension and can help understand land-use conflicts and different viewpoints. We adopted a social constructivist perspective on landscape to engage with meanings and perceptions (including values) that constitute landscape to diverse stakeholders. To understand these differences in meaning, we drew on Q-methodology and conducted 38 interviews with key stakeholders. We elicited three co-existing and partly overlapping landscape narratives. These differ with regard to meanings of the term cultural landscape, including how stakeholders characterise the landscape, how they appreciate it, and what they perceive as threats. We show how such differences in meanings and values attributed to the landscape translate to different problem framings and future aspirations and thus present a barrier for collaborative management and governance. We highlight how participatory vision development could help address narrative tensions and argue that a more integrative perspective would better include cultural aspects.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Ecosystems and Peopl...arrow_drop_down
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    Ecosystems and People
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    Authors: Tamara Schaal-Lagodzinski; Bettina König; Maraja Riechers; Nico Heitepriem; +1 Authors

    Ongoing land use change, including both land abandonment and agricultural intensification and expansion, not only present a threat for biodiversity and ecosystem health but also for the persistence of cultural landscapes. However, farmland abandonment and the resulting loss of traditional cultural landscapes is an under-researched topic in the literature. Our work in a transdisciplinary action research project in the Spreewald Biosphere Reserve suggested that challenges to preserve the cultural landscape are rooted in diverging landscape understandings and future aspirations. Dealing with and integrating different perceptions and viewpoints is a key challenge in landscape governance. Narratives as storylines about a topic or an issue have a structural and temporal dimension and can help understand land-use conflicts and different viewpoints. We adopted a social constructivist perspective on landscape to engage with meanings and perceptions (including values) that constitute landscape to diverse stakeholders. To understand these differences in meaning, we drew on Q-methodology and conducted 38 interviews with key stakeholders. We elicited three co-existing and partly overlapping landscape narratives. These differ with regard to meanings of the term cultural landscape, including how stakeholders characterise the landscape, how they appreciate it, and what they perceive as threats. We show how such differences in meanings and values attributed to the landscape translate to different problem framings and future aspirations and thus present a barrier for collaborative management and governance. We highlight how participatory vision development could help address narrative tensions and argue that a more integrative perspective would better include cultural aspects.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Ecosystems and Peopl...arrow_drop_down
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    Ecosystems and People
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    Authors: Joern Fischer; Maraja Riechers; Jacqueline Loos; Berta Martin-Lopez; +1 Authors

    The United Nations (UN) recently declared 2021 to 2030 the Decade on Ecosystem Restoration. Against this background, we review recent social-ecological systems research and summarize key themes that could help to improve ecosystem restoration in dynamic social contexts. The themes relate to resilience and adaptability, ecosystem stewardship and navigation of change, relational values, the coevolution of human and ecological systems, long-range social-ecological connections, and leverage points for transformation. We recommend two cross-cutting new research foci; namely: (i) post hoc cross-sectional assessments of social-ecological restoration projects; and (ii) transdisciplinary social-ecological 'living labs' that accompany new restoration projects as they unfold. With global agendas increasingly taking a social-ecological perspective, the recasting of ecosystem restoration as a social-ecological endeavor offers exciting new opportunities for both research and practice.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Trends in Ecology & ...arrow_drop_down
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    Trends in Ecology & Evolution
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    Authors: Joern Fischer; Maraja Riechers; Jacqueline Loos; Berta Martin-Lopez; +1 Authors

    The United Nations (UN) recently declared 2021 to 2030 the Decade on Ecosystem Restoration. Against this background, we review recent social-ecological systems research and summarize key themes that could help to improve ecosystem restoration in dynamic social contexts. The themes relate to resilience and adaptability, ecosystem stewardship and navigation of change, relational values, the coevolution of human and ecological systems, long-range social-ecological connections, and leverage points for transformation. We recommend two cross-cutting new research foci; namely: (i) post hoc cross-sectional assessments of social-ecological restoration projects; and (ii) transdisciplinary social-ecological 'living labs' that accompany new restoration projects as they unfold. With global agendas increasingly taking a social-ecological perspective, the recasting of ecosystem restoration as a social-ecological endeavor offers exciting new opportunities for both research and practice.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Trends in Ecology & ...arrow_drop_down
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    Trends in Ecology & Evolution
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      Trends in Ecology & Evolution
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    Authors: Riechers, Maraja; Betz, Lydia; Gould, Rachelle; Loch, Theresa Klara; +4 Authors

    To create the science we need for the ocean we want in this United Nations Decade of Ocean Science for Sustainable Development and to support the Intergovernmental Science-Policy Platform on Biodiversity and Ecosystem Services (IPBES) value assessment, we systematically reviewed literature from the past 20 years (N = 375) that used conceptualizations of relational values in coastal and marine ecosystems of the Global South. We found four clusters of research highlighting specific characteristics. Cluster one (participatory and qualitative approaches) was defined by a focus on the relational value of cultural heritage and the production of qualitative social science data, often with a participatory approach. Cluster two (Indigenous and local ecological knowledges held by fishers and gatherers) linked to the explicit inclusion of Indigenous and local knowledges in research and to aspects of biodiversity and marine resources. Cluster three (ecological and environmental change) was determined by relational values of social relations and identity of residents and community members through the use of anthropological and ethnographic methods and linked to ecological and environmental change. Cluster four (recreation and quantitative data) was characterized by a variety of relational values, such as recreation and enjoyment, aesthetics and inspiration, or stewardship, and based on quantitative empirical social research methods mainly elicited from coastal users (such as tourists). We highlight (1) the most prevalent relational values; (2) the necessity to bridge dispersed research approaches; and (3) the possible negative impact of globalization, market pressure, and ecological degradation on relational values. Our lessons learnt are the challenge of conflating relational values with structures, institutions, or emotions; the necessity of accounting for dynamic influences on relational values; and finding ways to comparably quantify relational value categories. Our recommendations for future research are: (1) specificity regarding relational values and their object of value; (2) using transdisciplinary and participatory approaches; and (3) strengthening pro-environmental relational values for sustainability transformation.

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    Ecology and Society
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    https://dx.doi.org/10.48548/pu...
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      https://dx.doi.org/10.48548/pu...
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    Authors: Riechers, Maraja; Betz, Lydia; Gould, Rachelle; Loch, Theresa Klara; +4 Authors

    To create the science we need for the ocean we want in this United Nations Decade of Ocean Science for Sustainable Development and to support the Intergovernmental Science-Policy Platform on Biodiversity and Ecosystem Services (IPBES) value assessment, we systematically reviewed literature from the past 20 years (N = 375) that used conceptualizations of relational values in coastal and marine ecosystems of the Global South. We found four clusters of research highlighting specific characteristics. Cluster one (participatory and qualitative approaches) was defined by a focus on the relational value of cultural heritage and the production of qualitative social science data, often with a participatory approach. Cluster two (Indigenous and local ecological knowledges held by fishers and gatherers) linked to the explicit inclusion of Indigenous and local knowledges in research and to aspects of biodiversity and marine resources. Cluster three (ecological and environmental change) was determined by relational values of social relations and identity of residents and community members through the use of anthropological and ethnographic methods and linked to ecological and environmental change. Cluster four (recreation and quantitative data) was characterized by a variety of relational values, such as recreation and enjoyment, aesthetics and inspiration, or stewardship, and based on quantitative empirical social research methods mainly elicited from coastal users (such as tourists). We highlight (1) the most prevalent relational values; (2) the necessity to bridge dispersed research approaches; and (3) the possible negative impact of globalization, market pressure, and ecological degradation on relational values. Our lessons learnt are the challenge of conflating relational values with structures, institutions, or emotions; the necessity of accounting for dynamic influences on relational values; and finding ways to comparably quantify relational value categories. Our recommendations for future research are: (1) specificity regarding relational values and their object of value; (2) using transdisciplinary and participatory approaches; and (3) strengthening pro-environmental relational values for sustainability transformation.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ University of Freibu...arrow_drop_down
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    Ecology and Society
    Article . 2022 . Peer-reviewed
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    https://dx.doi.org/10.48548/pu...
    Article . 2022
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      https://dx.doi.org/10.48548/pu...
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    Authors: Maraja Riechers; Ioana Alexandra Pătru-Dușe; Ágnes Balázsi;

    AbstractCalls for a reconnection to nature and the biosphere have been growing louder over the last decades. Cultural landscapes are rapidly changing, posing a threat to ecosystems and biodiversity, but also to human–nature connections. Human–nature connectedness may be a potential lever to shift the unsustainable trajectory that we are currently proceeding, but is also negatively influenced by it. To concretize the call for a reconnection to nature, we used the leverage points perspective on five empirical case studies with focus on human–nature connectedness. Based on the synthesis of our yearlong work, in this perspective paper, we propose four leverage points to foster a sustainability transformation: (1) maintain and enhance the structural diversity of landscapes, (2) maintain and enhance economically and ecologically sustainable small-scale agriculture, (3) strengthen sense of place and (4) strengthen sense of agency in actors. Intervening in these leverage points could be effective to foster human–nature connectedness and ultimately contribute towards a sustainable trajectory. We further argue that the interconnection between leverage points is equally important as their systemic depth.

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    AMBIO
    Article . 2021 . Peer-reviewed
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    AMBIO
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    AMBIO
    Article . 2021
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    Authors: Maraja Riechers; Ioana Alexandra Pătru-Dușe; Ágnes Balázsi;

    AbstractCalls for a reconnection to nature and the biosphere have been growing louder over the last decades. Cultural landscapes are rapidly changing, posing a threat to ecosystems and biodiversity, but also to human–nature connections. Human–nature connectedness may be a potential lever to shift the unsustainable trajectory that we are currently proceeding, but is also negatively influenced by it. To concretize the call for a reconnection to nature, we used the leverage points perspective on five empirical case studies with focus on human–nature connectedness. Based on the synthesis of our yearlong work, in this perspective paper, we propose four leverage points to foster a sustainability transformation: (1) maintain and enhance the structural diversity of landscapes, (2) maintain and enhance economically and ecologically sustainable small-scale agriculture, (3) strengthen sense of place and (4) strengthen sense of agency in actors. Intervening in these leverage points could be effective to foster human–nature connectedness and ultimately contribute towards a sustainable trajectory. We further argue that the interconnection between leverage points is equally important as their systemic depth.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ AMBIOarrow_drop_down
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    AMBIO
    Article . 2021 . Peer-reviewed
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    AMBIO
    Article . 2021
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    Authors: Loos, Jacqueline; Cortés-Capano, Gonzalo; Riechers, Maraja; Walsh, Cormac; +1 Authors

    Conservation and Development Interventions (CDIs) aim to promote sustainable natural resource use and contribute to both biodiversity conservation (or restoration) and human well-being. Their long-term impact on social-ecological interactions hinges on their transformative potential to achieve sustainability. In this perspective paper, we categorize CDIs based on their strategies for achieving transformative change, empowering decision-makers to guide social-ecological systems towards sustainability. We classify CDIs by their specific dependencies between values, rules, and knowledge systems in decision-making, power relations, and environmental justice in creating transformations. Based on this classification, we identify three ‘realms’ of CDI: (1) the realm of “management”, i.e., interventions for a just and sustainable natural resource use happen at a broad but shallow level through management design and content. Here, formal rules and visible power structures dominate to achieve distributive justice; (2) the realm of “understanding”, i.e., interventions that offer a better understanding of knowledge diversity and shedding light on invisible power structures by addressing procedural justice; (3) the realm of “engagement”, i.e., interventions that elucidate the underlying human value system and uncover hidden power structures, e.g., by analysing social discourses and thereby deeply engaging with recognitional justice in sustainable natural resource use. This work suggests that CDIs can enhance their capacity to drive transformative change towards promoting sustainable natural resource use by strategically addressing and actively involving all three realms.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Biological Conservat...arrow_drop_down
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    Biological Conservation
    Article . 2024 . Peer-reviewed
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    Biological Conservation
    Article . 2024
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Biological Conservat...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Biological Conservation
      Article . 2024 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Biological Conservation
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Loos, Jacqueline; Cortés-Capano, Gonzalo; Riechers, Maraja; Walsh, Cormac; +1 Authors

    Conservation and Development Interventions (CDIs) aim to promote sustainable natural resource use and contribute to both biodiversity conservation (or restoration) and human well-being. Their long-term impact on social-ecological interactions hinges on their transformative potential to achieve sustainability. In this perspective paper, we categorize CDIs based on their strategies for achieving transformative change, empowering decision-makers to guide social-ecological systems towards sustainability. We classify CDIs by their specific dependencies between values, rules, and knowledge systems in decision-making, power relations, and environmental justice in creating transformations. Based on this classification, we identify three ‘realms’ of CDI: (1) the realm of “management”, i.e., interventions for a just and sustainable natural resource use happen at a broad but shallow level through management design and content. Here, formal rules and visible power structures dominate to achieve distributive justice; (2) the realm of “understanding”, i.e., interventions that offer a better understanding of knowledge diversity and shedding light on invisible power structures by addressing procedural justice; (3) the realm of “engagement”, i.e., interventions that elucidate the underlying human value system and uncover hidden power structures, e.g., by analysing social discourses and thereby deeply engaging with recognitional justice in sustainable natural resource use. This work suggests that CDIs can enhance their capacity to drive transformative change towards promoting sustainable natural resource use by strategically addressing and actively involving all three realms.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Biological Conservat...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Biological Conservation
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Biological Conservation
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Biological Conservation
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Biological Conservation
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    Authors: Sanya Julius, John; Gross, Milena; Mwampamba, Tuyeni H.; Pearson, Jasmine; +5 Authors

    The dataset entails face-to-face surveys conducted in Tanzania, with 364 smallholder farmers residing in 14 villages located on the southern slope of Mount Kilimanjaro. It contains preferences for 25 context-specific nature's contributions to people (NCP) and expressions of values of nature and socio-demographic attributes. Interview Other

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    https://dx.doi.org/10.48548/pu...
    Dataset . 2025
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      https://dx.doi.org/10.48548/pu...
      Dataset . 2025
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    Authors: Sanya Julius, John; Gross, Milena; Mwampamba, Tuyeni H.; Pearson, Jasmine; +5 Authors

    The dataset entails face-to-face surveys conducted in Tanzania, with 364 smallholder farmers residing in 14 villages located on the southern slope of Mount Kilimanjaro. It contains preferences for 25 context-specific nature's contributions to people (NCP) and expressions of values of nature and socio-demographic attributes. Interview Other

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://dx.doi.org/1...arrow_drop_down
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    https://dx.doi.org/10.48548/pu...
    Dataset . 2025
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      https://dx.doi.org/10.48548/pu...
      Dataset . 2025
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Maraja Riechers; Lucia Fanini; Annalisa Apicella; Carolina Batista Galvan; +12 Authors

    Abstract This conference report summarizes the current challenges of researching microplastics pollution in the ocean as debated by international experts and stakeholders at a workshop held in San Sebastian, Spain, 1–2 October 2019. The transdisciplinary, co-learning approach of this report stressed the need to incorporate multiple perspective in solving the problem of microplastics and resulted in three proposed actions: (i) filtering microplastics from waste waters; (ii) mandatory ecolabels on plastic products packages; and (iii) circular economy of packaging plastics.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Marine Pollution Bul...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Marine Pollution Bulletin
    Article . 2021 . Peer-reviewed
    License: Elsevier TDM
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Marine Pollution Bulletin
      Article . 2021 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Maraja Riechers; Lucia Fanini; Annalisa Apicella; Carolina Batista Galvan; +12 Authors

    Abstract This conference report summarizes the current challenges of researching microplastics pollution in the ocean as debated by international experts and stakeholders at a workshop held in San Sebastian, Spain, 1–2 October 2019. The transdisciplinary, co-learning approach of this report stressed the need to incorporate multiple perspective in solving the problem of microplastics and resulted in three proposed actions: (i) filtering microplastics from waste waters; (ii) mandatory ecolabels on plastic products packages; and (iii) circular economy of packaging plastics.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Marine Pollution Bul...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Marine Pollution Bulletin
    Article . 2021 . Peer-reviewed
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Marine Pollution Bulletin
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: Maraja Riechers; Werner Henkel; Moritz Engbers; Joern Fischer;

    Understanding emotions is necessary to analyse underlying motivations, values and drivers for behaviours. In landscapes that are rapidly changing, for example, due to land conversion for intensive agriculture, a sense of powerlessness of the inhabitants can be common, which may negatively influence their emotional bond to the landscape they are living in. To uncover varied emotional responses towards landscape change we used an innovative approach that combined transdisciplinary and artistic research in an intensively farmed landscape in Germany. In this project, we focused on the topic of favourite places in public spaces, and how change in such places was experienced. Drawing on workshops and interviews, we identified themes of externally driven societal and internal personal influences on the public favourite places. “Resilient” emotional responses towards landscape change showed a will to integrate the modifications, while “non-resilient” responses were characterised by frustration and despair. We argue that identifying emotions towards change can be valuable to strengthen adaptive capacity and to foster sustainability.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sustainabilityarrow_drop_down
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    Sustainability
    Article . 2019 . Peer-reviewed
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      Sustainability
      Article . 2019
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    Authors: Maraja Riechers; Werner Henkel; Moritz Engbers; Joern Fischer;

    Understanding emotions is necessary to analyse underlying motivations, values and drivers for behaviours. In landscapes that are rapidly changing, for example, due to land conversion for intensive agriculture, a sense of powerlessness of the inhabitants can be common, which may negatively influence their emotional bond to the landscape they are living in. To uncover varied emotional responses towards landscape change we used an innovative approach that combined transdisciplinary and artistic research in an intensively farmed landscape in Germany. In this project, we focused on the topic of favourite places in public spaces, and how change in such places was experienced. Drawing on workshops and interviews, we identified themes of externally driven societal and internal personal influences on the public favourite places. “Resilient” emotional responses towards landscape change showed a will to integrate the modifications, while “non-resilient” responses were characterised by frustration and despair. We argue that identifying emotions towards change can be valuable to strengthen adaptive capacity and to foster sustainability.

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    Sustainability
    Article . 2019 . Peer-reviewed
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    Authors: Marja Spierenburg; Marja Spierenburg; Christopher Cvitanovic; Christopher Cvitanovic; +46 Authors

    La promesse d'une coproduction pour relever des défis complexes en matière de durabilité est convaincante. Pourtant, la coproduction, le tissage collaboratif de la recherche et de la pratique, englobe divers objectifs, terminologies et pratiques, avec peu de clarté sur leurs implications. Pour explorer cette diversité, nous avons systématiquement cartographié les différences dans la façon dont 32 initiatives de 6 continents coproduisent divers résultats pour le développement durable des écosystèmes à l'échelle locale et mondiale. Nous avons constaté des variations dans leur objectif d'utilisation de la coproduction, de compréhension du pouvoir, d'approche de la politique et de voies d'impact. Une analyse par grappes a identifié six modes de coproduction : (1) la recherche de solutions ; (2) l'autonomisation des voix ; (3) le pouvoir de courtage ; (4) le pouvoir de recadrage ; (5) la gestion des différences et (6) l'agence de recadrage. Aucun mode n'est idéal ; chacun possède un potentiel unique pour atteindre des résultats particuliers, mais pose également des défis et des risques uniques. Notre analyse fournit un outil heuristique aux chercheurs et aux acteurs de la société pour explorer de manière critique cette diversité et naviguer efficacement dans les compromis lors de la coproduction de la durabilité. La coproduction comprend divers objectifs, terminologies et pratiques. Cette étude explore cette diversité en cartographiant les différences dans la façon dont 32 initiatives de 6 continents coproduisent divers résultats pour le développement durable des écosystèmes à l'échelle locale et mondiale. La promesa de la coproducción para abordar los complejos desafíos de sostenibilidad es convincente. Sin embargo, la coproducción, el tejido colaborativo de la investigación y la práctica, abarca diversos objetivos, terminologías y prácticas, con poca claridad sobre sus implicaciones. Para explorar esta diversidad, mapeamos sistemáticamente las diferencias en cómo 32 iniciativas de 6 continentes coproducen diversos resultados para el desarrollo sostenible de los ecosistemas a escala local y global. Encontramos variaciones en su propósito de utilizar la coproducción, la comprensión del poder, el enfoque de la política y los caminos hacia el impacto. Un análisis de clústeres identificó seis modos de coproducción: (1) investigar soluciones; (2) empoderar las voces; (3) poder de intermediación; (4) poder de replanteamiento; (5) navegar las diferencias y (6) replantear la agencia. Ningún modo es ideal; cada uno tiene un potencial único para lograr resultados particulares, pero también plantea desafíos y riesgos únicos. Nuestro análisis proporciona una herramienta heurística para que los investigadores y los actores sociales exploren críticamente esta diversidad y naveguen eficazmente por las compensaciones al coproducir sostenibilidad. La coproducción incluye diversos objetivos, terminologías y prácticas. Este estudio explora dicha diversidad mediante el mapeo de las diferencias en la forma en que 32 iniciativas de 6 continentes coproducen diversos resultados para el desarrollo sostenible de los ecosistemas a escala local y global. The promise of co-production to address complex sustainability challenges is compelling. Yet, co-production, the collaborative weaving of research and practice, encompasses diverse aims, terminologies and practices, with poor clarity over their implications. To explore this diversity, we systematically mapped differences in how 32 initiatives from 6 continents co-produce diverse outcomes for the sustainable development of ecosystems at local to global scales. We found variation in their purpose for utilizing co-production, understanding of power, approach to politics and pathways to impact. A cluster analysis identified six modes of co-production: (1) researching solutions; (2) empowering voices; (3) brokering power; (4) reframing power; (5) navigating differences and (6) reframing agency. No mode is ideal; each holds unique potential to achieve particular outcomes, but also poses unique challenges and risks. Our analysis provides a heuristic tool for researchers and societal actors to critically explore this diversity and effectively navigate trade-offs when co-producing sustainability. Co-production includes diverse aims, terminologies and practices. This study explores such diversity by mapping differences in how 32 initiatives from 6 continents co-produce diverse outcomes for the sustainable development of ecosystems at local to global scales. إن الوعد بالإنتاج المشترك لمواجهة تحديات الاستدامة المعقدة أمر مقنع. ومع ذلك، فإن الإنتاج المشترك، وهو النسيج التعاوني للبحث والممارسة، يشمل أهدافًا ومصطلحات وممارسات متنوعة، مع ضعف الوضوح بشأن آثارها. لاستكشاف هذا التنوع، قمنا بشكل منهجي بتحديد الاختلافات في كيفية مشاركة 32 مبادرة من 6 قارات في إنتاج نتائج متنوعة للتنمية المستدامة للنظم الإيكولوجية على المستويات المحلية إلى العالمية. وجدنا تباينًا في غرضهم من استخدام الإنتاج المشترك وفهم القوة ونهج السياسة ومسارات التأثير. حدد تحليل عنقودي ستة أنماط للإنتاج المشترك: (1) حلول البحث ؛ (2) تمكين الأصوات ؛ (3) قوة الوساطة ؛ (4) قوة إعادة الصياغة ؛ (5) التنقل في الاختلافات و (6) وكالة إعادة الصياغة. لا يوجد وضع مثالي ؛ يحمل كل منها إمكانات فريدة لتحقيق نتائج معينة، ولكنه يشكل أيضًا تحديات ومخاطر فريدة. يوفر تحليلنا أداة إرشادية للباحثين والجهات الفاعلة المجتمعية لاستكشاف هذا التنوع بشكل نقدي والتنقل بفعالية في المفاضلات عند المشاركة في إنتاج الاستدامة. يتضمن الإنتاج المشترك أهدافًا ومصطلحات وممارسات متنوعة. تستكشف هذه الدراسة هذا التنوع من خلال تحديد الاختلافات في كيفية مشاركة 32 مبادرة من 6 قارات في إنتاج نتائج متنوعة للتنمية المستدامة للنظم الإيكولوجية على المستويات المحلية إلى العالمية.

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    Authors: Marja Spierenburg; Marja Spierenburg; Christopher Cvitanovic; Christopher Cvitanovic; +46 Authors

    La promesse d'une coproduction pour relever des défis complexes en matière de durabilité est convaincante. Pourtant, la coproduction, le tissage collaboratif de la recherche et de la pratique, englobe divers objectifs, terminologies et pratiques, avec peu de clarté sur leurs implications. Pour explorer cette diversité, nous avons systématiquement cartographié les différences dans la façon dont 32 initiatives de 6 continents coproduisent divers résultats pour le développement durable des écosystèmes à l'échelle locale et mondiale. Nous avons constaté des variations dans leur objectif d'utilisation de la coproduction, de compréhension du pouvoir, d'approche de la politique et de voies d'impact. Une analyse par grappes a identifié six modes de coproduction : (1) la recherche de solutions ; (2) l'autonomisation des voix ; (3) le pouvoir de courtage ; (4) le pouvoir de recadrage ; (5) la gestion des différences et (6) l'agence de recadrage. Aucun mode n'est idéal ; chacun possède un potentiel unique pour atteindre des résultats particuliers, mais pose également des défis et des risques uniques. Notre analyse fournit un outil heuristique aux chercheurs et aux acteurs de la société pour explorer de manière critique cette diversité et naviguer efficacement dans les compromis lors de la coproduction de la durabilité. La coproduction comprend divers objectifs, terminologies et pratiques. Cette étude explore cette diversité en cartographiant les différences dans la façon dont 32 initiatives de 6 continents coproduisent divers résultats pour le développement durable des écosystèmes à l'échelle locale et mondiale. La promesa de la coproducción para abordar los complejos desafíos de sostenibilidad es convincente. Sin embargo, la coproducción, el tejido colaborativo de la investigación y la práctica, abarca diversos objetivos, terminologías y prácticas, con poca claridad sobre sus implicaciones. Para explorar esta diversidad, mapeamos sistemáticamente las diferencias en cómo 32 iniciativas de 6 continentes coproducen diversos resultados para el desarrollo sostenible de los ecosistemas a escala local y global. Encontramos variaciones en su propósito de utilizar la coproducción, la comprensión del poder, el enfoque de la política y los caminos hacia el impacto. Un análisis de clústeres identificó seis modos de coproducción: (1) investigar soluciones; (2) empoderar las voces; (3) poder de intermediación; (4) poder de replanteamiento; (5) navegar las diferencias y (6) replantear la agencia. Ningún modo es ideal; cada uno tiene un potencial único para lograr resultados particulares, pero también plantea desafíos y riesgos únicos. Nuestro análisis proporciona una herramienta heurística para que los investigadores y los actores sociales exploren críticamente esta diversidad y naveguen eficazmente por las compensaciones al coproducir sostenibilidad. La coproducción incluye diversos objetivos, terminologías y prácticas. Este estudio explora dicha diversidad mediante el mapeo de las diferencias en la forma en que 32 iniciativas de 6 continentes coproducen diversos resultados para el desarrollo sostenible de los ecosistemas a escala local y global. The promise of co-production to address complex sustainability challenges is compelling. Yet, co-production, the collaborative weaving of research and practice, encompasses diverse aims, terminologies and practices, with poor clarity over their implications. To explore this diversity, we systematically mapped differences in how 32 initiatives from 6 continents co-produce diverse outcomes for the sustainable development of ecosystems at local to global scales. We found variation in their purpose for utilizing co-production, understanding of power, approach to politics and pathways to impact. A cluster analysis identified six modes of co-production: (1) researching solutions; (2) empowering voices; (3) brokering power; (4) reframing power; (5) navigating differences and (6) reframing agency. No mode is ideal; each holds unique potential to achieve particular outcomes, but also poses unique challenges and risks. Our analysis provides a heuristic tool for researchers and societal actors to critically explore this diversity and effectively navigate trade-offs when co-producing sustainability. Co-production includes diverse aims, terminologies and practices. This study explores such diversity by mapping differences in how 32 initiatives from 6 continents co-produce diverse outcomes for the sustainable development of ecosystems at local to global scales. إن الوعد بالإنتاج المشترك لمواجهة تحديات الاستدامة المعقدة أمر مقنع. ومع ذلك، فإن الإنتاج المشترك، وهو النسيج التعاوني للبحث والممارسة، يشمل أهدافًا ومصطلحات وممارسات متنوعة، مع ضعف الوضوح بشأن آثارها. لاستكشاف هذا التنوع، قمنا بشكل منهجي بتحديد الاختلافات في كيفية مشاركة 32 مبادرة من 6 قارات في إنتاج نتائج متنوعة للتنمية المستدامة للنظم الإيكولوجية على المستويات المحلية إلى العالمية. وجدنا تباينًا في غرضهم من استخدام الإنتاج المشترك وفهم القوة ونهج السياسة ومسارات التأثير. حدد تحليل عنقودي ستة أنماط للإنتاج المشترك: (1) حلول البحث ؛ (2) تمكين الأصوات ؛ (3) قوة الوساطة ؛ (4) قوة إعادة الصياغة ؛ (5) التنقل في الاختلافات و (6) وكالة إعادة الصياغة. لا يوجد وضع مثالي ؛ يحمل كل منها إمكانات فريدة لتحقيق نتائج معينة، ولكنه يشكل أيضًا تحديات ومخاطر فريدة. يوفر تحليلنا أداة إرشادية للباحثين والجهات الفاعلة المجتمعية لاستكشاف هذا التنوع بشكل نقدي والتنقل بفعالية في المفاضلات عند المشاركة في إنتاج الاستدامة. يتضمن الإنتاج المشترك أهدافًا ومصطلحات وممارسات متنوعة. تستكشف هذه الدراسة هذا التنوع من خلال تحديد الاختلافات في كيفية مشاركة 32 مبادرة من 6 قارات في إنتاج نتائج متنوعة للتنمية المستدامة للنظم الإيكولوجية على المستويات المحلية إلى العالمية.

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    Research@WUR
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Nature Sustainabilit...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Research@WUR
      Article . 2021
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      https://dx.doi.org/10.60692/kd...
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      https://dx.doi.org/10.60692/bs...
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