Over the past two decades, film scholars have offered new theoretical frameworks that define and strengthen ecocinema studies. In this regard, sensitive environments (Parikka 2015) are the film festivals that scholars mainly refer to as sites for promoting the consumption of ecocinema (Monani 2013). This contribution attempts to highlight what have become established practices aimed at educating an audience aware of the issue of environmental sustainability (Cubitt 2005). After a historical excursus, the author proposes an analysis of the Italian case: AFIC constitutes a space of discursive elaboration that has developed guidelines and parameters.

Cinergie – Il Cinema e le altre Arti, No. 22 (2022)